"Ballet Mecanique" by George Antheil, The Philadelphia Virtuosi Chamber Orchestra, Daniel Spalding was released on August 10, 2001. Ballet Mecanique appears to be safe for all ages as it is not explicit. The song is number 1 out of 8 in Antheil: Ballet Mecanique / Serenade for String Orchestra by George Antheil. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Ballet Mecanique's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ballet Mecanique by George Antheil, The Philadelphia Virtuosi Chamber Orchestra, Daniel Spalding is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Poco adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | D♭ Major | 1 | 3B | 52 BPM | ||
Die Walkure: Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | C Major | 5 | 8B | 172 BPM | ||
A Jazz Symphony (1925 Version) | George Antheil, Frank Dupree, Adrian Brendle, Uram Kim, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens | B♭ Major | 3 | 6B | 94 BPM | ||
Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | C Major | 0 | 8B | 82 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Saariaho: Asteroid 4179 - Toutatis | Kaija Saariaho, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 2 | 4B | 105 BPM | ||
Quatuor pour la fin du temps (Quartet for the End of Time): Louange à l'éternité de Jésus | Olivier Messiaen, William Pleeth, Erich Gruenberg, Gervase De Peyer, Michel Béroff | E Major | 0 | 12B | 189 BPM |
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