Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan made "Pictures at an Exhibition: The Market-place at Limoges" available on January 1, 1998. With Pictures at an Exhibition: The Market-place at Limoges being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Lazar Berman, Berliner Philharmoniker, Herbert von Karajan's "Mussorgsky: Bilder einer Ausstellung" album is number 11 out of 31. On top of that, Germany appears to be the country where this track was created. The popularity of Pictures at an Exhibition: The Market-place at Limoges is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pictures at an Exhibition: The Market-place at Limoges by Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 91 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 3. Scherzo (Allegro vivace) | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 78 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
Casse-noisette : danse chinoise | Wiener Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 111 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Major | 4 | 9B | 123 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 124 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 134 BPM | ||
Le Sacre du Printemps / Pt 2: Le Sacrifice: 2. Cercles mysteriéux des adolescentes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM |
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