"Meine Seele erhebt den Herrn" by Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd was released on October 22, 2022. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Heinrich von Herzogenberg: Meine Seele erhebt den Herrn and no other songs are present in the album, we classify this track as a single. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Meine Seele erhebt den Herrn is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Meine Seele erhebt den Herrn by Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
There Is No Rose | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 1 | 6B | 130 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Ave verum | Philip Stopford, The Ecclesium Choir | F♯ Minor | 1 | 11A | 142 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
We Toast the Days | Linda Kachelmeier, Desmond Earley, Ciarán O’Donovan, Ivan O’Neill, The Choral Scholars of University College Dublin | F♯ Major | 1 | 2B | 85 BPM | ||
Riu, Riu, Chiu | Bartolomé Cárceres, Massimo Marchese, Ugo Nastrucci | D Minor | 1 | 7A | 128 BPM |
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