"Violin Sonata No. 5 in F Major, Op. 24 'The Spring': II. Adagio molto espressivo" by Arthur Grumiaux, Clara Haskil was released on May 14, 2013. With this song being about 5 minutes long, at 5:29, "Violin Sonata No. 5 in F Major, Op. 24 'The Spring': II. Adagio molto espressivo" by Arthur Grumiaux, Clara Haskil is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 32 out of 64 in Arthur Grumiaux: The Art of the Violin by Arthur Grumiaux. Violin Sonata No. 5 in F Major, Op. 24 'The Spring': II. Adagio molto espressivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 5 in F Major, Op. 24 'The Spring': II. Adagio molto espressivo by Arthur Grumiaux, Clara Haskil is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: III. Allegro confuoco | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 154 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
Sicilienne | Maria Theresia von Paradis, Arthur Grumiaux, Istvan Hajdu | E♭ Major | 1 | 5B | 61 BPM | ||
String Quartet No. 14 in G Major, K. 387: II. Menuetto: Allegro (Allegretto) | Eder Quartet | G Major | 0 | 9B | 135 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 2 | 11B | 100 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM |
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