On June 1, 2018, the song "24 Pièces, Op. 20: No. 12, Scherzo" was released by Alexandre Pierre François Boëly, Stephanie McCallum. The duration of 24 Pièces, Op. 20: No. 12, Scherzo is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. 24 Pièces, Op. 20: No. 12, Scherzo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 31 in Boëly: Piano Music, Vol. 1 by Alexandre Pierre François Boëly, Stephanie McCallum. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 24 Pièces, Op. 20: No. 12, Scherzo is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 24 Pièces, Op. 20: No. 12, Scherzo by Alexandre Pierre François Boëly, Stephanie McCallum is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offertoire pour la messe du jeudi saint, Op. 40 | Alexandre Pierre François Boëly, Leonardo Carrieri | D♭ Minor | 0 | 12A | 94 BPM | ||
Sonata in F Minor K.519: Allegro assai | Domenico Scarlatti, Daria van den Bercken | C Major | 3 | 8B | 168 BPM | ||
Suitte en Trio No. 5 in G Major, Op. 1: V. Gigue | Louis-Antoine Dornel, Musica Barocca | D♭ Major | 1 | 3B | 176 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Sonata in D Major, Wq. 61/2: II. Allegretto | Carl Philipp Emanuel Bach, Einav Yarden | A Minor | 0 | 8A | 77 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM | ||
Sonata No. 9 in F Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Koral og fuge over Kirken den er et gammelt hus | Knut Nystedt, Anders Eidsten Dahl | C Minor | 0 | 5A | 71 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7: Choralvorspiel | Clara Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM |
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