Maximo Diego Pujol's 'Lloran las Ramas del Viento' came out on September 30, 2016. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 24 in El Recorrido Argentino de Mi Guitarra by Maximo Diego Pujol. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Lloran las Ramas del Viento's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lloran las Ramas del Viento by Maximo Diego Pujol is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pièces de clavecin, Book 2, 6th Ordre in B-Flat Major: Les baricades mistérieuses (Arr. X. Jara for Guitar) | François Couperin, Xavier Jara | D Major | 0 | 10B | 112 BPM | ||
Suite Colombiana No. 2: III. Bambuco | Gentil Montaña, José Antonio Escobar | E Minor | 1 | 9A | 171 BPM | ||
5 Preludios: No. 2, Preludio Triston | Maximo Diego Pujol, Jason Vieaux | C Major | 0 | 8B | 88 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
Standchen (Serenade) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Major | 0 | 8B | 132 BPM | ||
Caprice No. 24, Op. 1: Tema - Quasi presto - Variazioni - Finale | Judicaël Perroy | A Minor | 1 | 8A | 90 BPM | ||
Gracias a la vida (Arr. for Guitar by Emmanuel Sowicz) | Violeta Parra, Plínio Fernandes | A Major | 1 | 11B | 100 BPM | ||
Cancion | Aldo Rodríguez, Marco Tamayo | A Minor | 0 | 8A | 110 BPM | ||
Suite del recuerdo: Carnavalito - Evocacion - Joropo | Jose Luis Merlin, Jason Vieaux | B Minor | 2 | 10A | 98 BPM |
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