Psalm 38:1 "Groot en eeuwig Opperwezen"
Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort
Psalmcomposties voor Koor en Orgel Vol. 3
0:53 2016
BPM
192
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Psalm 38:1 "Groot en eeuwig Opperwezen" - Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort Information

Acousticness
97%
Danceability
9%
Energy
10%
Instrumentalness
93%
Liveness
10%
Loudness
54%
Speechiness
5%
Valence
39%
Popularity
Loudness
-27.508 dB

Summary

Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 38:1 "Groot en eeuwig Opperwezen"' came out on 2016. With Psalm 38:1 "Groot en eeuwig Opperwezen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Netherlands. The popularity of Psalm 38:1 "Groot en eeuwig Opperwezen" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Psalm 38:1 "Groot en eeuwig Opperwezen" BPM

With Psalm 38:1 "Groot en eeuwig Opperwezen" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 192 with a half-time of 96 BPM and a double-time of 384 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Psalm 38:1 "Groot en eeuwig Opperwezen" Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria: Ich folge Christo nach (Bass) by Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas GropperWeinen, Klagen, Sorgen, Zagen, BWV 12: Aria: Ich folge Christo nach (Bass)Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas GropperD Major110B133 BPM
6. Aria: Ein Gebet um neue Stärke by Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester6. Aria: Ein Gebet um neue StärkeGeorg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer DomorchesterA Major211B74 BPM
Markuspassion: I. Jesus Christus ist um unser Missetat willen by Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël SuhubietteMarkuspassion: I. Jesus Christus ist um unser Missetat willenReinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël SuhubietteF♯ Minor211A72 BPM
Ik die wakker placht te wezen - Psalm 38 by Gerard de Wit, Dutch Baroque, Johanette Zomer, Peter de Groot, William Knight, Jasper SchweppeIk die wakker placht te wezen - Psalm 38Gerard de Wit, Dutch Baroque, Johanette Zomer, Peter de Groot, William Knight, Jasper SchweppeC Major18B82 BPM
Biber: Requiem a 15 in A Major: VII. Communio by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque OrchestraBiber: Requiem a 15 in A Major: VII. CommunioHeinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque OrchestraB♭ Major16B101 BPM
In exitu Israel, ZWV 84: IV. Sicut erat by Jan Dismas Zelenka, Prague Baroque Soloists, Adam Viktora, Ensemble InégalIn exitu Israel, ZWV 84: IV. Sicut eratJan Dismas Zelenka, Prague Baroque Soloists, Adam Viktora, Ensemble InégalE Major612B107 BPM
Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan by Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix KochDer Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetanGeorg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix KochF♯ Major12B95 BPM
Jauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle Welt by Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium JapanJauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle WeltGeorg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium JapanE♭ Minor22A74 BPM
Psalm 46:1 Koraal God is een toevlucht voor de Zijnen by Gerard de Wit, Harjo Neutkens, Anne-Linde Visser, Johanneke de Wit, Dutch Baroque Vocal ConsortPsalm 46:1 Koraal God is een toevlucht voor de ZijnenGerard de Wit, Harjo Neutkens, Anne-Linde Visser, Johanneke de Wit, Dutch Baroque Vocal ConsortD Minor37A75 BPM
Israel in Egypt, HWV 54, Pt 2. Israel in Egypt, HWV 54, Pt 2. "Exodus": II. And the children of Israel sighed (Solo & Chorus)George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers, Daniel MoodyB Minor210A89 BPM
ISRC
NLVZ21681045
Label
L-M Records/RCA Records

Section: 0.5030765533447266

End: 0.5070784091949463