Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 38:1 "Groot en eeuwig Opperwezen"' came out on 2016. With Psalm 38:1 "Groot en eeuwig Opperwezen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Netherlands. The popularity of Psalm 38:1 "Groot en eeuwig Opperwezen" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 38:1 "Groot en eeuwig Opperwezen" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 192 with a half-time of 96 BPM and a double-time of 384 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria: Ich folge Christo nach (Bass) | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | D Major | 1 | 10B | 133 BPM | ||
6. Aria: Ein Gebet um neue Stärke | Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester | A Major | 2 | 11B | 74 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
Ik die wakker placht te wezen - Psalm 38 | Gerard de Wit, Dutch Baroque, Johanette Zomer, Peter de Groot, William Knight, Jasper Schweppe | C Major | 1 | 8B | 82 BPM | ||
Biber: Requiem a 15 in A Major: VII. Communio | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 101 BPM | ||
In exitu Israel, ZWV 84: IV. Sicut erat | Jan Dismas Zelenka, Prague Baroque Soloists, Adam Viktora, Ensemble Inégal | E Major | 6 | 12B | 107 BPM | ||
Der Herr verstößet nicht ewiglich, TWV 1:288: VIII. Was Gott tut, das ist wohlgetan | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle Welt | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Psalm 46:1 Koraal God is een toevlucht voor de Zijnen | Gerard de Wit, Harjo Neutkens, Anne-Linde Visser, Johanneke de Wit, Dutch Baroque Vocal Consort | D Minor | 3 | 7A | 75 BPM | ||
Israel in Egypt, HWV 54, Pt 2. "Exodus": II. And the children of Israel sighed (Solo & Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers, Daniel Moody | B Minor | 2 | 10A | 89 BPM |
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