"Lament and Elegy: Death Hath Deprived Me" by Thomas Weelkes, Thomas Tomkins, Vox Luminis, Lionel Meunier was released on March 4, 2013. The duration of Lament and Elegy: Death Hath Deprived Me is about 3 minutes long, at 3:13. Based on our data, "Lament and Elegy: Death Hath Deprived Me" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Purcell, Morley & Tomkins: English Royal Funeral Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Lament and Elegy: Death Hath Deprived Me is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lament and Elegy: Death Hath Deprived Me by Thomas Weelkes, Thomas Tomkins, Vox Luminis, Lionel Meunier having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Nata Lux | Nordic Chamber Choir - Nicol Matt | D Major | 0 | 10B | 77 BPM | ||
Ordo Virtutum, Prolog: "Audite "o lucis filie" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | F Major | 1 | 7B | 133 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Dolcissima mia vita | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | F Major | 1 | 7B | 70 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
3 Sacred Hymns: No. 3. Otche nash (Our Father) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 0 | 5B | 73 BPM | ||
O coruscans lux stellarum | Hildegard von Bingen, Choir of Clare College, Cambridge, Timothy Brown | G Minor | 0 | 6A | 113 BPM | ||
Pro Peccatis | Andreas Scholl | D Minor | 2 | 7A | 58 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM |
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