Harrison Birtwistle, Till Fellner, Adrian Brendel's 'Bogenstrich (Meditations On A Poem Of Rilke): Wie eine Fuge' came out on April 4, 2014. Bogenstrich (Meditations On A Poem Of Rilke): Wie eine Fuge is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Harrison Birtwistle, Lisa Batiashvili, Adrian Brendel, Till Fellner, Amy Freston, Roderick Williams's "Harrison Birtwistle: Chamber Music" album is number 8 out of 18. Bogenstrich (Meditations On A Poem Of Rilke): Wie eine Fuge is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bogenstrich (Meditations On A Poem Of Rilke): Wie eine Fuge by Harrison Birtwistle, Till Fellner, Adrian Brendel to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 | Tokyo Kosei Wind Orchestra, James Barnes | E Minor | 0 | 9A | 64 BPM | ||
Suite for Violin and Piano, Op. 6: I. March | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
9 Movements for String Quartet: III. Fantasia 2 | Harrison Birtwistle, Arditti Quartet | E Minor | 0 | 9A | 170 BPM | ||
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | A Major | 2 | 11B | 105 BPM | ||
Hornpipe for Orchestra Extended Version | Luca Schettino | D♭ Minor | 2 | 12A | 75 BPM | ||
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
Punch and Judy: Toccata III A | Harrison Birtwistle, Jan DeGaetani, Philip Langridge, Stephen Roberts, David Wilson-Johnson, John Tomlinson, London Sinfonietta, David Atherton | C Minor | 0 | 5A | 104 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Sinfonia dos orixás: II. Manifestação dos orixás: No. 3, Oxalá I: O canto da luz | Almeida Prado, Orquestra Sinfônica Do Estado De São Paulo, Neil Thomson | G Minor | 0 | 6A | 76 BPM | ||
Messiaen: Éclairs sur l'au-delà...: II. La constellation du Sagittaire | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 69 BPM |
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