Johann Sebastian Bach, Anthony Rolfe Johnson, Olaf Bär, Barbara Bonney, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir's 'Matthäus-Passion, BWV 244 / Zweiter Teil: No. 45 "Auf das Fest aber hatte der Landpfleger Gewohnheit"' came out on January 1, 1989. The duration of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 45 "Auf das Fest aber hatte der Landpfleger Gewohnheit" is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 45 "Auf das Fest aber hatte der Landpfleger Gewohnheit"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. In terms of popularity, Matthäus-Passion, BWV 244 / Zweiter Teil: No. 45 "Auf das Fest aber hatte der Landpfleger Gewohnheit" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 45 "Auf das Fest aber hatte der Landpfleger Gewohnheit" by Johann Sebastian Bach, Anthony Rolfe Johnson, Olaf Bär, Barbara Bonney, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Zweiter Teil: 58. (Evangelist und Chorus) "Und da sie an die Stätte kamen", usw. | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe | B♭ Minor | 1 | 3A | 90 BPM | ||
St. John Passion, BWV 245: Part II: Aria: Eilt, ihr angefochtnen Seelen (Bass, Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 136 BPM | ||
Johannes-Passion, BWV 245, Pt. 1: No. 4, Recitative: Auf dass das Wort erfüllet würde | Johann Sebastian Bach, La Petite Bande, Sigiswald Kuijken, Christoph Genz, Jens Hamann | D♭ Major | 1 | 3B | 93 BPM | ||
II. Meine Seufzer, Meine Tränen BWV 13, Recitativo (Alto): Mein Liebster Gott | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Sytse Buwalda, Bas Ramselaar, Ruth Holton, Anneke Boeke, Johann Sebastian Bach, Pieter Jan Leusink | E Minor | 0 | 9A | 95 BPM | ||
Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro | Johann Sebastian Bach, Philippe Pierlot, Katharine Fuge, Jan Kobow, Stephan MacLeod, Ricercar Consort, Carlos Mena | G Major | 1 | 9B | 66 BPM | ||
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Minuet | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 1 | 12B | 176 BPM | ||
I. Jesu, Nun Sei Gepreiset BWV 41, 1. Coro: Jesu, Nun Sei Gepreiset | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Eduard Wesley, Knut Schoch, Frank Aarnink, Susan Williams, Hendrik Jan Houtsma, Vincent Van Ballegooien, Peter Frankenberg, Frank Anepool, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 4 | 1B | 95 BPM | ||
Matthäus-Passion, BWV 244, Prima parte: Nr.14. Und da sie den Lobgesang gesprochen hatten (Evangelista, Jesus) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout | A♭ Minor | 0 | 1A | 98 BPM |
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