Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov's 'Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace' came out on November 24, 2023. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Schumann: Piano Quartet - Piano Quintet". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace by Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: String Quintet No. 3 in C Major, K. 515: III. Andante | Wolfgang Amadeus Mozart, Quatuor Ébène, Antoine Tamestit | F Major | 1 | 7B | 85 BPM | ||
Viola Sonata No. 1 in C Minor, Op. 18: I. Allegro moderato | York Bowen, Timothy Ridout, Frank Dupree | E♭ Major | 1 | 5B | 135 BPM | ||
Piano Concerto No. 3, BB 127, Sz. 119: I. Allegretto | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Les Buffons - 15 Variations (MB 19/101; BL Add. MS 23623 f. 22) | John Bull, Kit Armstrong | C Major | 1 | 8B | 89 BPM | ||
String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé | Claude Debussy, Quatuor Ébène | A Major | 0 | 11B | 85 BPM | ||
Lied ohne Worte | Jörg Widmann, Sol Gabetta, Bertrand Chamayou | E♭ Major | 0 | 5B | 138 BPM | ||
Viola Sonata in B-Flat Major, Op. 36: I. Maestoso - Allegro | Henri Vieuxtemps, Antoine Tamestit, Cédric Tiberghien | B♭ Major | 1 | 6B | 74 BPM | ||
Romantic Pieces, Op.75, Allegro maestoso | アントニーン・ドヴォルザーク, KIM NAYOUNG | D Minor | 3 | 7A | 100 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Lang Lang, Gewandhausorchester, Andris Nelsons | A Minor | 1 | 8A | 126 BPM | ||
4 Romantic Pieces, Op. 75: No. 2, Allegro maestoso | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM |
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