English Chamber Orchestra, Sir Charles Mackerras made "Concerto Grosso Op.3 Nr.1 B-dur - Finale Aus Concerto Grosso Op. 3,2" available on June 1, 1995. The duration of Concerto Grosso Op.3 Nr.1 B-dur - Finale Aus Concerto Grosso Op. 3,2 is about 3 minutes long, at 3:21. Based on our data, "Concerto Grosso Op.3 Nr.1 B-dur - Finale Aus Concerto Grosso Op. 3,2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in English Chamber Orchestra's "G. F. Händel: Orchestra Works" album is number 6 out of 32. Based on our statistics, Concerto Grosso Op.3 Nr.1 B-dur - Finale Aus Concerto Grosso Op. 3,2's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto Grosso Op.3 Nr.1 B-dur - Finale Aus Concerto Grosso Op. 3,2 by English Chamber Orchestra, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Concerto for Trumpet and Orchestra, in E-flat Major Hob.VIIe: 1: I. Allegro | Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, English Chamber Orchestra | E♭ Major | 1 | 5B | 126 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
A Postcard to Henry Purcell - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | F Major | 0 | 7B | 85 BPM |
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