Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King - City Of Birmingham Symphony Orchestra, Sir Mark Elder Information

Acousticness: 96%
Danceability: 26%
Energy: 22%
Instrumentalness: 96%
Liveness: 10%
Loudness: 70%
Speechiness: 5%
Valence: 24%
Popularity: 2%
Loudness: -17.724 dB

Summary

City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King' came out on June 28, 2005. The duration of Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #2. The popularity of Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King BPM

With Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Hamlet Op. 32 - 1932 Production - Act I - i. Funeral March; ii. Exit of the King Key

E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum	Gabriel Fauré, Paavo Järvi, Orchestre de Paris	D Major	0	10B	147 BPM
Summer Night on the River	Frederick Delius, Nicholas Cleobury	A Major	0	11B	65 BPM
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": V. Wie Felsenabgrund mir zu Füssen	Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, John Relyea	D♭ Minor	2	12A	80 BPM
Jocelyn, Suite No. 2: Berceuse	Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard	F Major	0	7B	92 BPM
Debussy: La plus que lente, L. 121	Claude Debussy, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	133 BPM
The Four Seasons Recomposed, Winter (After A. Vivaldi): I. —	Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray	F Minor	5	4A	151 BPM
Kol Nidrei, Op. 47	Max Bruch, Jan Vogler, Helmut Branny	D Major	1	10B	136 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Spring Rounds - Ritual of the Rival Tribes - Procession of the Sage	Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle	D Minor	4	7A	115 BPM
Britten: Sinfonia da Requiem, Op. 20: II. Dies irae. Allegro con fuoco	Benjamin Britten, City Of Birmingham Symphony Orchestra, Sir Simon Rattle	B♭ Major	3	6B	154 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8282828330993652

End: 0.8327903747558594