Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand made "Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio" available on November 28, 2015. The duration of Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio is about 3 minutes long, at 3:21. Based on our data, "Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand's "Magical Christmas Melodies" album is number 14 out of 17. On top of that, Switzerland appears to be the country where this track was created. Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio by Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah / Part 1: "And The Glory Of The Lord" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
Rachmaninov: Vespers, Op. 37: V. Nyne otpushchayeshi | Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury | B♭ Minor | 1 | 3A | 130 BPM | ||
Ave Maria | Vienna Boys' Choir | B♭ Major | 0 | 6B | 118 BPM | ||
Greensleeves | New York Symphony Orchestra And Chorale | C Minor | 1 | 5A | 76 BPM | ||
L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": L’enfance du Christ, Op. 25: The shepherds' farewell | Hector Berlioz, The Cambridge Singers, City of London Sinfonia, John Rutter | E Major | 0 | 12B | 81 BPM | ||
L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
He Shall Feed His Flock | George Frideric Handel, Felix Klieser, Wiener Concert-Verein | B Major | 2 | 1B | 94 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": IV. Vivace | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | G Minor | 1 | 6A | 177 BPM | ||
A Ceremony of Carols, Op. 28: VI. This Little Babe | Benjamin Britten, The Choir Of Trinity College, Cambridge, Richard Marlow | B♭ Minor | 1 | 3A | 81 BPM | ||
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Stefan Maass, Stefan Rath | D Major | 0 | 10B | 136 BPM |
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