"Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live" by Ludwig van Beethoven, Berliner Philharmoniker, Wilhelm Furtwängler was released on September 6, 2019. Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live appears to be safe for all ages as it is not explicit. This song is part of Wilhelm Furtwängler: Wartime Recordings (Vol. 4) by Wilhelm Furtwängler. The song's track number on the album is #33 out of 74 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live by Ludwig van Beethoven, Berliner Philharmoniker, Wilhelm Furtwängler has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo a Capriccio in G Major, Op. 129, "Rage over a Lost Penny" | Ludwig van Beethoven, Jenő Jandó | G Major | 2 | 9B | 80 BPM | ||
Triple Concerto in C Major, Op. 56: II. Largo | Ludwig van Beethoven, Isabelle Faust, Jean-Guihen Queyras, Alexander Melnikov, Pablo Heras-Casado, Freiburger Barockorchester | A♭ Major | 0 | 4B | 66 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM |
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