"Symphonie No. 35 En Ré Majeur, K. 385 "Haffner": II. Andante" by Iona Brown, Academy of St. Martin in the Fields was released on August 31, 2006. Since Symphonie No. 35 En Ré Majeur, K. 385 "Haffner": II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "La Magie Des Plus Beaux Adagios, Vol. 2" album is number 4 out of 23. Symphonie No. 35 En Ré Majeur, K. 385 "Haffner": II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie No. 35 En Ré Majeur, K. 385 "Haffner": II. Andante by Iona Brown, Academy of St. Martin in the Fields to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | D♭ Major | 0 | 3B | 82 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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