- BPM
- 102
- Key
- F Minor
- Camelot
- 4A
Pièces de Luth (2000 Digital Remaster), Charles Mouton (1626-Nach 1692), Pièces En Fa Dièse Mineur: La Belle Iris (Allemande) - Various Artists, Anthony Bailes Information
- Acousticness
- 99%
- Danceability
- 45%
- Energy
- 13%
- Instrumentalness
- 85%
- Liveness
- 12%
- Loudness
- 64%
- Speechiness
- 6%
- Valence
- 24%
- Popularity
- 1%
- Loudness
- -21.651 dB
Summary
Various Artists, Anthony Bailes's 'Pièces de Luth (2000 Digital Remaster), Charles Mouton (1626-Nach 1692), Pièces En Fa Dièse Mineur: La Belle Iris (Allemande)' came out on April 14, 2008. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Guitar Classics, so we believe that "Pièces de Luth (2000 Digital Remaster), Charles Mouton (1626-Nach 1692), Pièces En Fa Dièse Mineur: La Belle Iris (Allemande)" is a single. In terms of popularity, Pièces de Luth (2000 Digital Remaster), Charles Mouton (1626-Nach 1692), Pièces En Fa Dièse Mineur: La Belle Iris (Allemande) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Pièces de Luth (2000 Digital Remaster), Charles Mouton (1626-Nach 1692), Pièces En Fa Dièse Mineur: La Belle Iris (Allemande) BPM
The tempo marking of Pièces de Luth (2000 Digital Remaster), Charles Mouton (1626-Nach 1692), Pièces En Fa Dièse Mineur: La Belle Iris (Allemande) by Various Artists, Anthony Bailes is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Pièces de Luth (2000 Digital Remaster), Charles Mouton (1626-Nach 1692), Pièces En Fa Dièse Mineur: La Belle Iris (Allemande) Key
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | In Nomine | Thomas Tallis, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 93 BPM | |
 | Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | |
 | Lute Sonata No. 11 in D Minor: IV. Bourree | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | |
 | Ciaccona in G major | Alessandro Piccinini, David Miller, Harry Christophers, The Sixteen | G Major | 0 | 9B | 82 BPM | |
 | Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | |
 | Volta | Michelangelo Galilei, Jakob Lindberg | A♭ Major | 0 | 4B | 176 BPM | |
 | In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | |
 | Pavan | John Danyel, Karl Nyhlin | B Major | 1 | 1B | 72 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.623624324798584
End: 0.6273975372314453