"Once in Royal David's City (Arr. for Treble and Harp)" by Henry John Gauntlett, Malakai, Cecily Beer was released on December 1, 2023. The duration of Once in Royal David's City (Arr. for Treble and Harp) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Once in Royal David's City (Arr. for Treble and Harp)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Gauntlett: Once in Royal David's City (Arr. for Treble and Harp) and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Once in Royal David's City (Arr. for Treble and Harp) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Once in Royal David's City (Arr. for Treble and Harp) by Henry John Gauntlett, Malakai, Cecily Beer to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Once in Royal David’s City (Arr. by Arthur Henry Mann and David Willcocks) | Henry John Gauntlett, The Choir Of Bath Abbey, Huw Williams, Shean Bowers | G Major | 1 | 9B | 74 BPM | ||
Apparition | Anne Allen, Cecily Beer | C Minor | 1 | 5A | 141 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Songs of Love: III. I Sing Because | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | ||
Indianas: V. Al Tribunal de tu Pecho | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | E Major | 0 | 12B | 119 BPM | ||
Lord Have Mercy (Kyrie) | Margaret Rizza, Kevin Mayhew Ltd | E Minor | 2 | 9A | 168 BPM | ||
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM |
Section: 0.6109509468078613
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