Geneviève Soly, Christoph Graupner made "Aprilis In C Minor GWV 112 - Menuets I Et Ii, Alternativement" available on September 16, 2008. With Aprilis In C Minor GWV 112 - Menuets I Et Ii, Alternativement being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Geneviève Soly's "Graupner: Partitas For Harpsichord Vol. 7" album is number 5 out of 27. Aprilis In C Minor GWV 112 - Menuets I Et Ii, Alternativement is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aprilis In C Minor GWV 112 - Menuets I Et Ii, Alternativement by Geneviève Soly, Christoph Graupner to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: I. Un poco allegro | Johann Friedrich Fasch, Il Gardellino | F♯ Major | 0 | 2B | 127 BPM | ||
Suite in G Minor: VI. Sarabande Dieux des Enfers (La naissance de Vénus, Acte II Scène 6, LWV 27) | Jean-Baptiste Lully, Céline Frisch | F♯ Major | 2 | 2B | 98 BPM | ||
Pieces de clavecin: Suite in E Minor: I. Allemande | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: IV. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Cantates françaises sur des sujets tirés de l’Écriture, Livre premier, Quatrième cantate, "Jonas": Jonas, loin de Ninive | Élisabeth Jacquet de La Guerre, Ensemble des Idées heureuses, Geneviève Soly, Isabelle Desrochers | B♭ Major | 1 | 6B | 71 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM |
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