On March 16, 2012, the song "Carcassi Op.60 N.20 Allegro Brillante" was released by Matteo Carcassi, Lucio Matarazzo. With Carcassi Op.60 N.20 Allegro Brillante being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matteo Carcassi, Lucio Matarazzo's "Matteo carcassi: 25 etudes mélodiques progressives op. 60 - 6 caprices op.26" album is number 4 out of 31. Carcassi Op.60 N.20 Allegro Brillante is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Carcassi Op.60 N.20 Allegro Brillante by Matteo Carcassi, Lucio Matarazzo to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopedie No. 1 | Erik Satie, Christopher Parkening | A Major | 0 | 11B | 93 BPM | ||
Homenaje a Tarrega: I. Garrotin | Joaquín Turina, Sebastien Llinares | D Major | 2 | 10B | 141 BPM | ||
Pièces de clavecin avec une méthode, Suite in E Minor, RCT 2 (Arr. M. Grizard for Guitar): V. Le rappel des oiseaux | Jean-Philippe Rameau, Raphaël Feuillâtre | F♯ Minor | 1 | 11A | 83 BPM | ||
El Noy de la Mare | Liona Boyd | G Major | 0 | 9B | 122 BPM | ||
Danza Mora | Philip Hemmo | B Major | 2 | 1B | 90 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Carcassi Op.26 N.5 Allegro | Matteo Carcassi, Lucio Matarazzo | D Major | 3 | 10B | 142 BPM | ||
Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
Stella australis | Maximo Diego Pujol, Ricardo Cobo | E Major | 1 | 12B | 137 BPM | ||
Sons de Carrilhoes | João Pernambuco, Tatyana Ryzhkova | D Major | 2 | 10B | 77 BPM |
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