Johann Sebastian Bach, Maurice André, Fritz Werner, Pforzheim Chamber Orchestra made "Bach, JS: Ihr werdet weinen und heulen, BWV 103: No. 5, Aria. "Erholet euch, betrübte Sinnen"" available on August 24, 2010. The duration of Bach, JS: Ihr werdet weinen und heulen, BWV 103: No. 5, Aria. "Erholet euch, betrübte Sinnen" is about 3 minutes long, at 3:26. Based on our data, "Bach, JS: Ihr werdet weinen und heulen, BWV 103: No. 5, Aria. "Erholet euch, betrübte Sinnen"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Maurice André, André Jolivet, Louis de Froment, Orchestre de l'Association des Concerts Lamoureux, Radio-Luxembourg Chamber Orchestra's "Maurice André Edition - Volume 3 (2009 REMASTERED)" album is number 90 out of 104. On top of that, France appears to be the country where this track was created. Bach, JS: Ihr werdet weinen und heulen, BWV 103: No. 5, Aria. "Erholet euch, betrübte Sinnen" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Bach, JS: Ihr werdet weinen und heulen, BWV 103: No. 5, Aria. "Erholet euch, betrübte Sinnen" by Johann Sebastian Bach, Maurice André, Fritz Werner, Pforzheim Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Nocturne No. 9 In B, Op. 32 No. 1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 80 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM |
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