Renato Cesari made "La Gran Vía: Vals del Caballero de Gracia" available on December 10, 2013. The duration of La Gran Vía: Vals del Caballero de Gracia is about 3 minutes long, at 3:21. Based on our data, "La Gran Vía: Vals del Caballero de Gracia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "La Zarzuela - 100 Momentos Antológicos" album is number 7 out of 100. On top of that, Spain appears to be the country where this track was created. In terms of popularity, La Gran Vía: Vals del Caballero de Gracia is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La Gran Vía: Vals del Caballero de Gracia by Renato Cesari to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
Roméo et Juliette, CG 9 / Act 4: Amour, ranime mon courage | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 88 BPM | ||
Puccini: Turandot, Act 1: "Signore, ascolta!" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
La Chulapona: "Como Soy Chulapona" | Teresa Berganza | G Major | 3 | 9B | 120 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Act One | Carlo Bergonzi, Renato Cesari, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin, Ettore Bastianini, Cesare Siepi | G Major | 4 | 9B | 83 BPM | ||
Werther / Act III: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 1 | 6A | 79 BPM | ||
Fedra, R 1.75 (Excerpts): Giusto ciel quale appresi [Live] | Giovanni Paisiello, Renato Cesari, Orchestra Sinfonica Nazionale della RAI di Milano, Angelo Questa | G Minor | 5 | 6A | 82 BPM |
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