Franz Lehár, Großes Wiener Rundfunkorchester, Ernst Tautenhayn, Wiener Rundfunkchor made "Wo die Lerche singt, Act II: "Páli sagt' mir einst die Mutter" - "Das Lied von Temesvar" (Pál, Damenchor)" available on March 6, 2015. The duration of Wo die Lerche singt, Act II: "Páli sagt' mir einst die Mutter" - "Das Lied von Temesvar" (Pál, Damenchor) is about 3 minutes long, at 3:28. Based on our data, "Wo die Lerche singt, Act II: "Páli sagt' mir einst die Mutter" - "Das Lied von Temesvar" (Pál, Damenchor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Lehár, Großes Wiener Rundfunkorchester, Ernst Tautenhayn, Else Macha's "Lehár: Wo die Lerche singt" album is number 20 out of 29. On top of that, Germany appears to be the country where this track was created. Wo die Lerche singt, Act II: "Páli sagt' mir einst die Mutter" - "Das Lied von Temesvar" (Pál, Damenchor) is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Wo die Lerche singt, Act II: "Páli sagt' mir einst die Mutter" - "Das Lied von Temesvar" (Pál, Damenchor) by Franz Lehár, Großes Wiener Rundfunkorchester, Ernst Tautenhayn, Wiener Rundfunkchor to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 183 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM |
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