Joaquín Rodrigo, Pepe Romero's 'Tres Pequeñas Piezas: 3. Pequeña sevillana' came out on January 1, 1994. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rodrigo: Concierto de Aranjuez; Fantasía para un gentilhombre etc.". In this album, this song's track order is #13. In terms of popularity, Tres Pequeñas Piezas: 3. Pequeña sevillana is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tres Pequeñas Piezas: 3. Pequeña sevillana by Joaquín Rodrigo, Pepe Romero having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Granados: 12 Danzas españolas: No. 5, Andaluza | Enrique Granados, Manuel Barrueco | C Minor | 0 | 5A | 97 BPM | ||
The Pearl Fishers, WD 13: Je crois entendre encore (Arr. for Violin & Orchestra) | Georges Bizet, Joshua Bell, Michael Stern, Orchestra of St. Luke's | A Minor | 1 | 8A | 72 BPM | ||
Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | E Major | 2 | 12B | 123 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Rodrigo: Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | B Minor | 1 | 10A | 85 BPM |
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