Suddeutsche Philharmonic, Alberto Lizzio's 'Carnival of the Animals, The Acquarium' came out on 1996. The duration of Carnival of the Animals, The Acquarium is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Carnival of the Animals, The Acquarium's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Best of Saint-Saens". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. In terms of popularity, Carnival of the Animals, The Acquarium is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals, The Acquarium by Suddeutsche Philharmonic, Alberto Lizzio having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mercure: VI. Danse des Grâces | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | B♭ Major | 1 | 6B | 115 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: VI. Poco andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Romeo and Juliet, Ballet Suite, Op. 64a, No. 1: III. Madrigal | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | C Major | 0 | 8B | 98 BPM | ||
Gypsy Melodies, B. 104: IV. Songs My Mother Taught Me (Arr. Hough) | Antonín Dvořák, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | ||
Brook Green Suite: Prelude | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 137 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Nocturne in C-Sharp Minor, Op. posth. | Frédéric Chopin, John O'Conor | D♭ Minor | 0 | 12A | 70 BPM |
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