"New York Counterpoint: I. Fast" by Steve Reich, Evan Ziporyn was released on 1997. With this song being about 5 minutes long, at 5:03, "New York Counterpoint: I. Fast" by Steve Reich, Evan Ziporyn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "New York Counterpoint, Eight Lines, Four Organs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. New York Counterpoint: I. Fast is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With New York Counterpoint: I. Fast by Steve Reich, Evan Ziporyn having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Wasserklavier | Luciano Berio, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 134 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
II. White Man Sleeps | Kevin Volans, Kronos Quartet | E Minor | 1 | 9A | 128 BPM | ||
China Gates | John Adams, Ralph van Raat | B Major | 1 | 1B | 145 BPM | ||
Music for 18 Musicians: Pulses II | Steve Reich | F♯ Minor | 5 | 11A | 103 BPM | ||
Entrada: At The River | Ingram Marshall | C Minor | 2 | 5A | 84 BPM | ||
Music for 18 Musicians: Section IV | Steve Reich | A Major | 3 | 11B | 105 BPM | ||
Rift | Hilary Hahn, Hauschka | C Major | 2 | 8B | 93 BPM | ||
Trio For Trumpet, Accordion, and String Bass II | Pauline Oliveros, James Ilgenfritz, Anagram Ensemble | D Major | 2 | 10B | 98 BPM |
Section: 0.5756771564483643
End: 0.5788662433624268