Kurt Weill, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 3 - Songs of the Rival Armies: 10. Salvation Army Song I: March ahead to the fight' came out on January 1, 1976. With Happy End (1929) / Part 3 - Songs of the Rival Armies: 10. Salvation Army Song I: March ahead to the fight being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #10 out of 42 tracks. Based on our statistics, Happy End (1929) / Part 3 - Songs of the Rival Armies: 10. Salvation Army Song I: March ahead to the fight's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Happy End (1929) / Part 3 - Songs of the Rival Armies: 10. Salvation Army Song I: March ahead to the fight by Kurt Weill, Mary Thomas, Philip Langridge, Ian Partridge, Benjamin Luxon, London Sinfonietta, David Atherton has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Happy End (1929) / Part 3 - Songs of the Rival Armies: 10. Salvation Army Song I: March ahead to the fight being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
American Song Suite: IV. Mack The Knife (Version for Violin and Chamber Orchestra) | Kurt Weill, Daniel Hope, Joscho Stephan, Alexander Ponet, Zürcher Kammerorchester | D Major | 1 | 10B | 177 BPM | ||
Wien, Du stadt meiner Träume (Wien, Wien, nur du allein) | Rudolf Sieczynski, Jonas Kaufmann, Ádám Fischer | G Major | 2 | 9B | 133 BPM | ||
Der Morgenchoral des Peachum (1.Akt) (Jonathan Jer | Bertolt Brecht, Kurt Weill | G Minor | 2 | 6A | 76 BPM | ||
Swing On Beethoven | Philharmonix | C Minor | 1 | 5A | 75 BPM | ||
L’opéra de quat'sous, Act II: Duo de la jalousie | Kurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron, Marie Oppert | E Major | 3 | 12B | 115 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
Concerto For Clarinet & String Orchestra | Benny Goodman, Aaron Copland | D Minor | 2 | 7A | 85 BPM | ||
Mahler - Urlicht | Gustav Mahler, Christianne Stotijn, Julius Drake | G Major | 1 | 9B | 142 BPM |
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