Georges Bizet, London Symphony Orchestra, Claudio Abbado's 'L'Arlésienne Suite No. 2, WD 28: Menuet' came out on January 1, 2000. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 29 in Bizet: Carmen; L'Arlésienne; Symphony No.1 by Georges Bizet, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, L'Arlésienne Suite No. 2, WD 28: Menuet's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 2, WD 28: Menuet by Georges Bizet, London Symphony Orchestra, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 1 | 6A | 71 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, "Tempest": III. Allegretto | Ludwig van Beethoven, Jenő Jandó | G Minor | 1 | 6A | 123 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Le docteur Miracle: Scene 9: Terzetto: Dieu! son pere! (Silvio, Laurette, Le Podestat) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 2 | 7B | 134 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |
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