"Eichendorff Lieder: Nachtzauber" by Hugo Wolf, Ian Bostridge, Antonio Pappano was released on July 10, 2006. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wolf: Lieder by Hugo Wolf, Ian Bostridge. The song's track number on the album is #4 out of 24 tracks. Eichendorff Lieder: Nachtzauber is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Eichendorff Lieder: Nachtzauber by Hugo Wolf, Ian Bostridge, Antonio Pappano has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Eichendorff Lieder: Nachtzauber being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die ferne Geliebte, Op. 98: 4. Diese Wolken in den Höhen | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | F Major | 1 | 7B | 124 BPM | ||
Liebesliederwalzer, Op. 52: IX. Am Donaustrande | Johannes Brahms, Georg Friedrich Daumer, Stella Doufexis, Werner Güra, Christoph Berner, Marlis Petersen, Konrad Jarnot, Camillo Radicke | E Major | 1 | 12B | 91 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Nocturne | Reynaldo Hahn, Susan Graham | F♯ Minor | 0 | 11A | 69 BPM | ||
An die ferne Geliebte, Op. 98: No. 1, Auf dem Hügel sitz ich spähend | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | E♭ Major | 0 | 5B | 174 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Credo: Credo in unum Deum | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 0 | 5B | 0 BPM | ||
Geselle, woll'n wir uns in Kutten hüllen | Hugo Wolf, Christian Gerhaher | A Major | 0 | 11B | 77 BPM | ||
Mendelssohn: 3 Songs, Op. 84: No. 3, Jagdlied, MVW K82 | Felix Mendelssohn, Thomas Hampson, Geoffrey Parsons | E♭ Major | 0 | 5B | 85 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM |
Section: 1.1065318584442139
End: 1.1104726791381836