"Puccini : La rondine : Act 3 "Dimmi che vuoi seguirmi" [Ruggero]" by Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra was released on 2007. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 39 in the song's album "The Classical Guide to Puccini Opera". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. In terms of popularity, Puccini : La rondine : Act 3 "Dimmi che vuoi seguirmi" [Ruggero] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini : La rondine : Act 3 "Dimmi che vuoi seguirmi" [Ruggero] by Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Come Paride vezzoso" | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Stabat Mater: 2. Cujus animam gementem | Gioachino Rossini, Dalmacio Gonzales, Philharmonia Orchestra, Carlo Maria Giulini | D Major | 1 | 10B | 93 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Puccini: Manon Lescaut, Act 4: "Sola, perduta, abbandonata" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | B♭ Minor | 1 | 3A | 87 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 90 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
Section: 0.7335281372070312
End: 0.7384254932403564