Vincent Youmans, No, No, Nanette Orchestra (1971), Buster Davis made "No, No, Nanette - Original Broadway Cast: I Want to Be Happy (Ensemble Tap)" available on 1972. With No, No, Nanette - Original Broadway Cast: I Want to Be Happy (Ensemble Tap) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "No, No, Nanette (New Broadway Cast Recording (1971))". In this album, this song's track order is #7. In terms of popularity, No, No, Nanette - Original Broadway Cast: I Want to Be Happy (Ensemble Tap) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With No, No, Nanette - Original Broadway Cast: I Want to Be Happy (Ensemble Tap) by Vincent Youmans, No, No, Nanette Orchestra (1971), Buster Davis having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grainger / Orch. Artok: Country Gardens, BFMS 22 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E♭ Major | 2 | 5B | 157 BPM | ||
Great Day | Vincent Youmans, Rigmor Gustafsson, Karl-Martin Almqvist, Hans Andersson, Jacob Karlzon, Jonas Holgersson | E Minor | 3 | 9A | 91 BPM | ||
Who Cares? (after Gershwin): I Got Rhythm | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | A Minor | 3 | 8A | 148 BPM | ||
No, No, Nanette: "Blaues Meer, wenn ich dein Rauschen hör" | Vincent Youmans, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets, Hans Söhnker, Franzi Millrath, Gretl Schörg, Paul Bürks, Peter René Körner | G Major | 1 | 9B | 107 BPM | ||
More Than You Know (arr. G. Svensson) | Vincent Youmans, Monica Zetterlund, Gunnar Svensson Orchestra | G Major | 1 | 9B | 139 BPM | ||
A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | ||
The Comedians - Suite, Op.26: Waltz | Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian | D♭ Major | 1 | 3B | 163 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
No, No, Nanette: Sprecher - Dialog 1 | Vincent Youmans, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets, Hans Söhnker, Franzi Millrath, Gretl Schörg, Paul Bürks, Peter René Körner | G Major | 3 | 9B | 127 BPM |
Section: 0.9196703433990479
End: 0.9255831241607666