- BPM
- 83
- Key
- G Minor
- Camelot
- 6A
Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave - Nathan Milstein Information
- Acousticness
- 94%
- Danceability
- 24%
- Energy
- 18%
- Instrumentalness
- 78%
- Liveness
- 22%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 5%
- Loudness
- -17.244 dB
Summary
"Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave" by Nathan Milstein was released on November 9, 2010. Since Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Essential Masters by Nathan Milstein. The song's track number on the album is #44 out of 93 tracks. Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave BPM
Since Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave by Nathan Milstein has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Tartini's Violin Sonata In G Minor, Op. 1/6, "The Devil's Trill" - 3. Grave Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata For Piano And Violin In E Minor, K.304: 1. Allegro | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 2 | 9A | 86 BPM | |
 | Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) | Claude Debussy, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 174 BPM | |
 | Capriccio No. 24 | Neil Black | B♭ Minor | 5 | 3A | 67 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Nathan Milstein, Arthur Balsam | E Major | 0 | 12B | 137 BPM | |
 | Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | |
 | Andante | Johann Sebastian Bach, Nathan Milstein | C Major | 1 | 8B | 173 BPM | |
 | Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | |
 | Vivaldi's Violin Sonata In A, Op. 2/2, RV 31 - 1. Preludio A Capriccio | Nathan Milstein | A Major | 3 | 11B | 70 BPM | |
 | Symphonie espagnole: V. Rondo. Allegro | Nathan Milstein, Orchestre National de Paris, André Cluytens | D Major | 1 | 10B | 111 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6836304664611816
End: 0.6889090538024902