"The Armed Man (Ensemble Version): XII. Benedictus" by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Jamal Aliyev had its release date on January 12, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera's "Karl Jenkins: The Armed Man (Ensemble Version)" album is number 12 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Armed Man (Ensemble Version): XII. Benedictus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Armed Man (Ensemble Version): XII. Benedictus by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Jamal Aliyev to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 49: No. 4. Wiegenlied (Lullaby) (arr. for orchestra) | Anonymous, Johannes Brahms, Moscow Chamber Orchestra, Constantine Orbelian | C Major | 1 | 8B | 107 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
A Final Request | George Fenton | A♭ Minor | 2 | 1A | 99 BPM | ||
Lugares Equivocados | Los Triunfadores | G Major | 0 | 9B | 59 BPM | ||
The Mission | Ennio Morricone | G Major | 1 | 9B | 77 BPM | ||
Sofia | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
Bright Horizon | Miljan Minic, Chords And Hearts | C Minor | 0 | 5A | 74 BPM | ||
子守歌(ブラームス/朝川 朋之編) | Johannes Brahms, Yoko Hasegawa | G Minor | 2 | 6A | 107 BPM | ||
Materna Requiem: 4. Lacrimosa | Rebecca Dale, Hannah Dienes-Williams, Thelma Handy, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A♭ Major | 0 | 4B | 100 BPM | ||
Die Blümelein, sie schlafen - Klänge eines Traumes: Adagio | Franz Liszt, Alexander Därr, Norbert Nagel | F Major | 1 | 7B | 78 BPM |