"Symphonie espagnole in D Minor, Op. 21: 3. Intermezzo (Allegretto non troppo)" by Édouard Lalo, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit was released on November 1, 1989. Symphonie espagnole in D Minor, Op. 21: 3. Intermezzo (Allegretto non troppo) is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Saint-Saëns: Violin Concerto No. 3 / Lalo: Symphonie espagnole". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Symphonie espagnole in D Minor, Op. 21: 3. Intermezzo (Allegretto non troppo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonie espagnole in D Minor, Op. 21: 3. Intermezzo (Allegretto non troppo) by Édouard Lalo, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
Pictures at an Exhibition: Pictures at an Exhibition: X. The great gate of Kiev | Modest Mussorgsky, Paul Lewis | E♭ Major | 1 | 5B | 139 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D. 821: 2. Adagio | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 91 BPM |
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