"Hail! bright Cecilia!: Hail! bright Cecilia!: XIII. Hail! Bright Cecilia" by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold was released on 1993. With this song being about 5 minutes long, at 4:41, "Hail! bright Cecilia!: Hail! bright Cecilia!: XIII. Hail! Bright Cecilia" by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Purcell: Funeral Sentences & Hail! Bright Cecilia". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Hail! bright Cecilia!: Hail! bright Cecilia!: XIII. Hail! Bright Cecilia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hail! bright Cecilia!: Hail! bright Cecilia!: XIII. Hail! Bright Cecilia by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
The Indian Queen, Z. 630: First Music - First Aire | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | E Major | 1 | 12B | 121 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" | Henry Purcell, Patricia Clarke, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | D Minor | 2 | 7A | 105 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
9 Fantasia a 4: IX. Fantazia in A Minor, Z. 740 | Henry Purcell, The Rose Consort Of Viols | G Major | 1 | 9B | 126 BPM |
Section: 0.6993510723114014
End: 0.7045567035675049