"Die Schöpfung: Leise rauschend gleitet fort im stillen Tal der helle Bach" by Joseph Haydn, Oktavian Ensemble, Franz Strasser was released on November 28, 2012. With Die Schöpfung: Leise rauschend gleitet fort im stillen Tal der helle Bach being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 32 in Die Schöpfung by Joseph Haydn, Oktavian Ensemble, Franz Strasser. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Die Schöpfung: Leise rauschend gleitet fort im stillen Tal der helle Bach is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Schöpfung: Leise rauschend gleitet fort im stillen Tal der helle Bach by Joseph Haydn, Oktavian Ensemble, Franz Strasser is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.5 In B Flat, D.485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 150 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: I. Allegro | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | C Major | 1 | 8B | 112 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
String Quartet No. 2 in A Minor, Op. 13, MWV R22: II. Adagio non lento | Felix Mendelssohn, Emerson String Quartet | F Major | 0 | 7B | 93 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM | ||
Gondellied (Barcarolle) in A major (1837): Allegretto non troppo, MWV U 136 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 72 BPM |
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