Johann Strauss I, Wiener Philharmoniker, Herbert von Karajan made "Radetzky-Marsch, Op. 228" available on January 1, 1998. The duration of Radetzky-Marsch, Op. 228 is about 3 minutes long, at 3:21. Based on our data, "Radetzky-Marsch, Op. 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Johann Strauss I, Josef Strauss's "J. Strauss: Best of Waltzes & Polkas" album is number 12 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Radetzky-Marsch, Op. 228 by Johann Strauss I, Wiener Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
European Union: Ode an die Freude (Ode to Joy), "Praise to Joy…" [arr. P. Breiner] | Ludwig van Beethoven, Slovak Radio Symphony Orchestra, Peter Breiner | D Major | 2 | 10B | 123 BPM | ||
The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
Hirten-galoppe, Op. 28 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 2 | 12B | 148 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Chopin / Orch. Elgar: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento | Frédéric Chopin, London Philharmonic Orchestra, Sir Adrian Boult | E Major | 4 | 12B | 79 BPM | ||
Charpentier: Te Deum, H. 146: Prélude | Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 64 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM |
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