"Jerusalem" by Hubert Parry, The Choir Of Trinity College, Cambridge, Richard Marlow, Philip Rushforth was released on October 7, 1996. The duration of Jerusalem is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Jerusalem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tears From Heaven". In this album, this song's track order is #14. Jerusalem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jerusalem by Hubert Parry, The Choir Of Trinity College, Cambridge, Richard Marlow, Philip Rushforth having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tambourin | Donald Sosin, Francois-Joseph Gossec, Nora Shulman, Judy Loman | F Major | 1 | 7B | 136 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
Blest Pair of Sirens | Hubert Parry, Richard Hickox, London Symphony Orchestra, Roderick elms, London Symphony Chorus | B♭ Major | 2 | 6B | 90 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Farewell to Stromness (Arr. for Orchestra) | Peter Maxwell Davies, Philharmonia Orchestra, Christopher Warren-Green | D Major | 0 | 10B | 59 BPM | ||
Adagio in C Major | Sergei Taneyev, Novosibirsk Academic Symphony Orchestra, Thomas Sanderling | G Major | 1 | 9B | 78 BPM | ||
Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
Songs of Old Ireland (Version for Voice & Orchestra): No. 2, Emer’s Farewell to Cucullain | Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews | D♭ Major | 0 | 3B | 82 BPM | ||
Sunrise | Majorstua Kammerkor & Tore Erik Mohn | D Major | 1 | 10B | 128 BPM |
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