"Pièces de viole, Livre II No.65: Prélude" by Marin Marais, Vittorio Ghielmi, Luca Pianca was released on April 10, 2020. With this song being about 5 minutes long, at 5:17, "Pièces de viole, Livre II No.65: Prélude" by Marin Marais, Vittorio Ghielmi, Luca Pianca is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marin Marais, Luca Pianca, Il Suonar Parlante Orchestra, Vittorio Ghielmi's "Le secret de Monsieur Marais" album is number 17 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Pièces de viole, Livre II No.65: Prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole, Livre II No.65: Prélude by Marin Marais, Vittorio Ghielmi, Luca Pianca to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Partite sopra diverse sonate: Passa Galli | Giovanni Battista Vitali, Ensemble 1700 | E Minor | 0 | 9A | 99 BPM | ||
[Suite en sol mineur]: V. Gigue la Pagode (No. 67) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 69 BPM | ||
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM |
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