Wolfgang Amadeus Mozart, English Chamber Orchestra, György Fischer, Lucia Popp's 'Exsultate, jubilate K165/K158a (1988 Digital Remaster): Alleluia' came out on May 1, 2021. The duration of Exsultate, jubilate K165/K158a (1988 Digital Remaster): Alleluia is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Exsultate, jubilate K165/K158a (1988 Digital Remaster): Alleluia's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in #nowplaying Mozart, so we believe that "Exsultate, jubilate K165/K158a (1988 Digital Remaster): Alleluia" is a single. In terms of popularity, Exsultate, jubilate K165/K158a (1988 Digital Remaster): Alleluia is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Exsultate, jubilate K165/K158a (1988 Digital Remaster): Alleluia by Wolfgang Amadeus Mozart, English Chamber Orchestra, György Fischer, Lucia Popp is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Sinfonia concertante in E-Flat, K.364: Andante | Wolfgang Amadeus Mozart, Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | A Minor | 2 | 8A | 94 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM |
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