Giovanni Battista Viotti, Franco Mezzena, Viotti Chamber Orchestra, Luciano Borin's 'Violin Concerto No. 19 in G Minor, G 91: II. Adagio non troppo' came out on January 1, 1994. Violin Concerto No. 19 in G Minor, G 91: II. Adagio non troppo is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. This song is part of Viotti: Violin Concertos (Complete), Vol. 2 by Giovanni Battista Viotti, Franco Mezzena, Luciano Borin. The song's track number on the album is #2 out of 9 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, Violin Concerto No. 19 in G Minor, G 91: II. Adagio non troppo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto No. 19 in G Minor, G 91: II. Adagio non troppo by Giovanni Battista Viotti, Franco Mezzena, Viotti Chamber Orchestra, Luciano Borin has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concerto No. 19 in G Minor, G 91: II. Adagio non troppo being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Divertimento for Flute, Violin & Cello in G Major, Hob. IV:7: II. Adagio | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | B Major | 0 | 1B | 88 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Violin Concerto in D Major, Op. 2 No. 2: I. Allegro | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 1 | 10B | 126 BPM | ||
Violin Concerto No. 1 in C Major, G. 32: III. Rondo | Giovanni Battista Viotti, Franco Mezzena, Viotti Chamber Orchestra, Luciano Borin | E Major | 2 | 12B | 115 BPM | ||
String Quartet In B Flat Major D. 112 - Iii. Menuetto: Allegro | Amadeus Quartet | E♭ Major | 1 | 5B | 179 BPM | ||
Variations on a Minuet by Duport in D Major, K.573: II. Variation 1 | AM Records | D♭ Major | 2 | 3B | 134 BPM | ||
Charakterstucke, Op. 7: No. 7, Leicht Und Luftig (Light and Airy) - Duo-Art 0200 Br | Felix Mendelssohn, Rosita Renard, Peter Phillips | A♭ Major | 1 | 4B | 135 BPM | ||
Piano Sonatina in F Major, Op. 88, No. 4: I. Allegro molto | Friedrich Kuhlau, Jenő Jandó | F Major | 1 | 7B | 145 BPM | ||
Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema | Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper Zürich | B♭ Major | 0 | 6B | 71 BPM | ||
Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
Section: 0.5656862258911133
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