Jean-Baptiste Loeillet, Ensemble Barocco Sans Souci made "Sonata in C Major: II. Allegro (Arr. For oboe and organ)" available on June 4, 2013. The duration of Sonata in C Major: II. Allegro (Arr. For oboe and organ) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sonata in C Major: II. Allegro (Arr. For oboe and organ)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sonatas for Oboe & Organ". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Italy. In terms of popularity, Sonata in C Major: II. Allegro (Arr. For oboe and organ) is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonata in C Major: II. Allegro (Arr. For oboe and organ) by Jean-Baptiste Loeillet, Ensemble Barocco Sans Souci having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hexachordum Apollinis: No. 4 in G Minor, Aria & 6 Variations, P. 196 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Symphony No. 6 in F Major, Op. 2, "Solomon": I. Largo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 103 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Recorder Sonata in G Major, Op. 1, No. 3: II. Allegro | Jean-Baptiste Loeillet, Daniel Rothert, Vanessa Young, Ketil Haugsand | E Major | 1 | 12B | 78 BPM | ||
Festa no Palácio das Fadas | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Kommer intet Mollberg | Bellman Concerto Ensemble, Tomas Blank In Harmony | A Minor | 1 | 8A | 79 BPM |
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