Traditional, Driss El Maloumi, Bakary Sangaré's 'Taqsim and Narration XVI' came out on March 8, 2019. The duration of Taqsim and Narration XVI is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Taqsim and Narration XVI's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Jordi Savall's "Ibn Battuta, The Traveller of Islam" album is number 13 out of 55. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Taqsim and Narration XVI is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Taqsim and Narration XVI by Traditional, Driss El Maloumi, Bakary Sangaré to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Gloriosissimi Lux | The Rose Ensemble, Jordan Sramek | C Minor | 0 | 5A | 129 BPM | ||
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM | ||
Ave sanctissima Maria: Ave Sanctissima Maria | Juan de Anchieta, Loreto Fernandez Imaz, Capilla Peñaflorida, Ministriles de Marsias, Josep Cabre | A Minor | 1 | 8A | 77 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
Cherubic Hymn No. 7 | Dmitry Bortniansky, Glinka State Choir of St.Petersburg, Vladislav Chernoushenko | D Major | 0 | 10B | 82 BPM | ||
O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 81 BPM | ||
Hymn: Veni creator spiritus | Rabanus Maurus, Anonymous 4 | B♭ Major | 0 | 6B | 98 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM |
Section: 0.5022401809692383
End: 0.5065524578094482