Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter's 'Amour et printemps: Amor et Primtemps, Waltz' came out on September 25, 1995. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Waldteufel: The Best of Emile Waldteufel, Vol. 5 by Émile Waldteufel. The song's track number on the album is #3 out of 9 tracks. The popularity of Amour et printemps: Amor et Primtemps, Waltz is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Amour et printemps: Amor et Primtemps, Waltz by Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter has a tempo of 186 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Amour et printemps: Amor et Primtemps, Waltz being at 186 BPM, the half-time would be 93 BPM with a double-time of 372 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening Party | Shanghai Philharmonic Orchestra | A Minor | 1 | 8A | 110 BPM | ||
Die Sirene, Polka Mazur, Op. 248 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 0 | 10B | 114 BPM | ||
Ischler Walzer, Op. Posth | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 185 BPM | ||
Towards Victory | Fyodor Biryuchev | A Minor | 4 | 8A | 118 BPM | ||
Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | F Major | 2 | 7B | 76 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM | ||
Aus den schlesischen Bergen, Op. 260 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
Classical Strings | Rafael Krux | F Minor | 3 | 4A | 120 BPM | ||
Cipollino, Act II Scene 4: Dance of Cherries Countesses | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | G Major | 1 | 9B | 116 BPM | ||
Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Gerald Garcia, Slovak State Philharmonic Orchestra, Kosice, Peter Breiner | G Major | 1 | 9B | 112 BPM |
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