"Horovitz, Joseph: Horrortorio, A Choral Extravaganza: "Let all things nameless at our feast run wild" (Bass)" by Alistair Sampson, Stephen Manton/April Cantelo/Pamela Bowden/John Frost/Lionel Salter/Hoffnung Festival Choral Society/Hoffnung Symphony Orchestra/Joseph Horovitz, Joseph Horovitz was released on October 1, 1989. With Horovitz, Joseph: Horrortorio, A Choral Extravaganza: "Let all things nameless at our feast run wild" (Bass) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Hoffnung Music Festivals 1956, 1958 & 1961" album is number 20 out of 46. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Horovitz, Joseph: Horrortorio, A Choral Extravaganza: "Let all things nameless at our feast run wild" (Bass) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Horovitz, Joseph: Horrortorio, A Choral Extravaganza: "Let all things nameless at our feast run wild" (Bass) by Alistair Sampson, Stephen Manton/April Cantelo/Pamela Bowden/John Frost/Lionel Salter/Hoffnung Festival Choral Society/Hoffnung Symphony Orchestra/Joseph Horovitz, Joseph Horovitz to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Horovitz, Joseph: Horrortorio, A Choral Extravaganza: Recitative, "With sharped-fanged smile the young bride bowed" (Tenor) - "My heart is swelling" (Soprano, Chorus) | Alistair Sampson, Stephen Manton/April Cantelo/Pamela Bowden/John Frost/Lionel Salter/Hoffnung Festival Choral Society/Hoffnung Symphony Orchestra/Joseph Horovitz, Joseph Horovitz | C Major | 1 | 8B | 200 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2 Scene 30: "Nur stille! stille! stille!" (Monostatos, Königin, Drei Damen) | Wolfgang Amadeus Mozart, Lucia Popp, Otto Klemperer, Philharmonia Orchestra | D Major | 3 | 10B | 81 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM | ||
Les Pêcheurs de perles: Seule au milieu de nous (Zurga, Leïla, Fishermen, Villagers, Nourabad) | Georges Bizet, Ernest Blanc, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'Opera Comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | A Major | 1 | 11B | 170 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 5: Solveig's Cradle Song | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 93 BPM | ||
The Mikado: There Is the Beauty In the Bellow of the Blast | Eric Idle, Felicity Palmer | E♭ Major | 2 | 5B | 109 BPM | ||
Green Finch and Linnet Bird | Stephen Sondheim, Sarah Rice, Paul Gemignani | B♭ Major | 3 | 6B | 115 BPM | ||
Ya Vstretil Vas... | Dmitri Hvorostovsky | C Minor | 2 | 5A | 179 BPM | ||
Die Zauberflöte, K.620 / Act 1: O zittre nicht...Ist's auch denn Wirklichlkeit | Wolfgang Amadeus Mozart, Cristina Deutekom, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 126 BPM |
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