Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer's 'Il barbiere di Siviglia (The Barber of Seville): Act IV: Recitative: Come, Basilio, voi nol conoscete? (Bartolo, Basilio, Rosina, Figaro, Count Almaviva)' came out on July 15, 2014. With this song being about 5 minutes long, at 5:09, "Il barbiere di Siviglia (The Barber of Seville): Act IV: Recitative: Come, Basilio, voi nol conoscete? (Bartolo, Basilio, Rosina, Figaro, Count Almaviva)" by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hungary. Il barbiere di Siviglia (The Barber of Seville): Act IV: Recitative: Come, Basilio, voi nol conoscete? (Bartolo, Basilio, Rosina, Figaro, Count Almaviva) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia (The Barber of Seville): Act IV: Recitative: Come, Basilio, voi nol conoscete? (Bartolo, Basilio, Rosina, Figaro, Count Almaviva) by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | E Major | 5 | 12B | 85 BPM | ||
Polonaise in B-Flat Major, D. 580 | Franz Schubert, Ariadne Daskalakis, Kölner Akademie, Michael Alexander Willens | B♭ Major | 1 | 6B | 96 BPM | ||
Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | B♭ Major | 1 | 6B | 93 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Major | 2 | 10B | 125 BPM | ||
Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | B♭ Minor | 2 | 3A | 144 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 126 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
La molinara : Atto primo, Barbaro amante, di un'alma incostante | Giovanni Paisiello, Orchestra Alessandro Scarlatti di Napoli della Rai, Caracciolo, Sciutti, Raimondi, Fioroni, Misciano, Lazzari, BruscantIni, Calabrese, Boyer, Monreal-e | G Major | 4 | 9B | 83 BPM |
Section: 0.7911858558654785
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