Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon's 'Macbeth: End of 3rd Act – Lochaber' came out on March 1, 2006. The duration of Macbeth: End of 3rd Act – Lochaber is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Macbeth: End of 3rd Act – Lochaber's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold. Based on our statistics, Macbeth: End of 3rd Act – Lochaber's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Macbeth: End of 3rd Act – Lochaber by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Clarinet Sonata in B-Flat Major, Op. 1: I. Allegro Moderato - On early Boxwood Clarinet | Jean Xavier Lefevre, Luigi Magistrelli, Sumiko Hojo | A Minor | 1 | 8A | 116 BPM | ||
Keyboard Lessons - Arr. for Piano by John Blood | Samuel Arnold, Libby Burgess | G Major | 1 | 9B | 167 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 3 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: I. Allegro | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 123 BPM | ||
Sinfonia in E Major: II. Vivace | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Overture in D Major, Op. 8, No. 4: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 96 BPM | ||
Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 87 BPM | ||
Serenade No. 6 in D Major, K. 239, "Serenata Notturna"*: II. Menuetto | Wolfgang Amadeus Mozart, Hungarian Chamber Orchestra, Vilmos Tátrai | A Major | 0 | 11B | 66 BPM |
Section: 0.6167683601379395
End: 0.6208484172821045