"Missa Malheur me bat a 4: Pleni sunt" by Jacob Obrecht, Ars Nova Secunda, Janos Bali was released on January 1, 2015. With Missa Malheur me bat a 4: Pleni sunt being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Obrecht: Missa O Lumen Ecclesiae - Ave Regina Caelorum - Alma Redemptoris Mater - Missa Malheur Me Bat". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Hungary. Missa Malheur me bat a 4: Pleni sunt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Malheur me bat a 4: Pleni sunt by Jacob Obrecht, Ars Nova Secunda, Janos Bali having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | D Minor | 0 | 7A | 156 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Kyrie, JD 1 | John Dunstable, Tonus Peregrinus, Antony Pitts | A♭ Minor | 3 | 1A | 81 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM |
Section: 0.5833768844604492
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