"A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano)" by Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason was released on September 3, 2021. With A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Barber: A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) by Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM | ||
5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM | ||
With Rue My Heart Is Laden, Op. 2 No. 2 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B Minor | 0 | 10A | 66 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Chiyan Wong, London Symphony Orchestra, Christoph Koncz | E Major | 0 | 12B | 69 BPM | ||
Excursions Op. 20: I. Un poco allegro | Samuel Barber, Israela Margalit | C Minor | 2 | 5A | 81 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM |
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