"The Bartered Bride, Act I Scene II: Is it so unfair to want to know" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Susan Gritton, Paul Charles Clarke was released on October 1, 2005. With The Bartered Bride, Act I Scene II: Is it so unfair to want to know being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. The Bartered Bride, Act I Scene II: Is it so unfair to want to know is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Bartered Bride, Act I Scene II: Is it so unfair to want to know by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Susan Gritton, Paul Charles Clarke having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
Dalibor, JB 1:101, Act III, Scene 5: No Trace as Yet of Our Convened Signal? (Dalibor, Milada, Jitka, Vítek) | Bedřich Smetana, Beno Blachut, Marie Podvalová, Štefa Petrová, Antonín Votava, Prague National Theatre Chorus, Prague National Theatre Orchestra, Jarmil Burghauser, Jaroslav Krombholc | A♭ Minor | 4 | 1A | 93 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM |
Section: 0.7488493919372559
End: 0.7525615692138672